MMM's "Everything is Possible"

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Kora

The Mandinka kora is a unique instrument with a harp-like appearance and a notched bridge similar to that of a lute or guitar and is very popular throughout West Africa. It sounds somewhat like a harp, but its intricate playing style can be closer to flamenco guitar.

A kora is built from a large calabash cut in half and covered with cow skin to make a resonator, and has a notched bridge like a lute or guitar. The sound of a kora resembles that of a harp, though when played in the traditional style, it bears a closer resemblance to flamenco and delta blues guitar techniques. The player uses only the thumb and index finger of both hands to pluck the strings in polyrhythmic patterns (using the remaining fingers to secure the instrument by holding the hand posts on either side of the strings). Ostinato riffs (“Kumbengo”) and improvised solo runs (“Birimintingo”) are played at the same time by skilled players.

Kora players have traditionally come from griot families (also from the Mandinka tribes) who are traditional historians, genealogists and storytellers who pass their skills on to their descendants. The instrument is played in Guinea, Guinea Bissau, Mali, Senegal, Burkina Faso and The Gambia. A traditional kora player is called a Jali, similar to a ‘bard’ or oral historian. Most West African musicians prefer the term ‘jali’ to ‘griot’, which is the French word.

Traditional koras feature 21 strings, eleven played by the left hand and ten by the right hand. There are twenty-one playing strings plucked by the thumb and forefinger of each hand. The remaining fingers grip the two vertical hand posts. For strings, players use fishing line which provides a brilliant tone and is easily obtained at the local market. Twenty-one anchor strings attach the playing strings to an iron ring bored through the base of the kora’s hardwood neck. The player tunes the kora by moving the leather rings to achieve the appropriate tension on each string. Kora players use a variety of tunings.

Strings were traditionally made from thin strips of hide, for example antelope skin – now most strings are made from harp strings or nylon fishing line, sometimes plaited together to create thicker strings.

Kora is a multi-dimensional instrument


Let hear Toumani Diabaté, a Malian Kora master plays ‘Si Naani’ from album ‘Mandé Variations’ – where you discover the past which meets the present for the future………..

mamadou

4 responses to “Kora

  1. mamadou February 14, 2010 at 3:33 pm

    Assalamu’alaikum Uncle Awang

    Yes I always discussed it with my friend over here, as he also from Sarawak; he also proud of SAPE
    Thanks of your thought.

  2. Awang February 14, 2010 at 3:16 pm

    Di Sarawak kita ada SAPE…dan South Africa ada KORA…
    Interesting ,music is so beautiful.
    Thanks for sharing.

  3. mamadou February 14, 2010 at 2:42 pm

    Dear Pak Mat

    Ooh Pak Mat, I felt so welcome to know that you know kora! Its sound make me feel so relax

    Thanks for your kind remark

  4. pakmat February 14, 2010 at 2:15 pm

    ..thank you, mamadou..your post makes me recall the kora..and I youtibed it..and found Ketama SongHai on the kora playing jarabi..and I think it means love..and I was messmerised by it..it sounds raw yet with soul..evoking feelings thats hard for me to describe..I’ve never been to Africa..but hearing it makes me understand its intrigue..the kora is indeed a great instrument..carved out of jarabi..

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